MABUHAY! BIENVENIDO! WELCOME!

MALIGAYANG PASKO!

Jesus is the reason for the Season.

ATENEO DE MANILA TURNS 149

In celebration of the University’s second Sesquicentennial theme, Deepening Spirituality, the Ateneo community is warmly invited to TAKE AND RECEIVE: THE FIRST FESTIVAL OF ATENEO MUSIC

Sunday, 7 December 2008, 6:30PM
Church of the Gesù

FEATURING:

Ateneo Boys Choir (Daisy Marasigan, Conductor)
Ateneo Chamber Singers (Jonathan Velasco, Conductor)
Ateneo College Glee Club (Ma. Lourdes Hermo, Conductor)
Ateneo High School Glee Club (Jose Emmanuel Aquino, Conductor)
Dulaang Sibol (Dr. Onofre Pagsanghan, Managing Director)
Jesuit Music Ministry (Fr. JBoy Gonzales, SJ, Director): Blue Symphony, Bukas
Palad, Himig Heswita & Musica Chiesa

AND

the premiere "Take and Receive” medley arrangement of RYAN CAYABYAB

**
Take and Receive: The First Festival of Ateneo Music
Ateneo choirs to stage free thanksgiving concert for the community

On Sunday, 7 December 2008, 6:30PM, Ateneo’s singing groups will treat the community to an evening of sacred, liturgical, and inspirational music through the concert, Take and Receive: The First Festival of Ateneo Music, at the Church of the Gesù, Ateneo Loyola Heights campus.

The concert gathers Ateneo’s home grown and award-winning groups, the Ateneo Boys Choir, Ateneo High School Glee Club, Dulaang Sibol, Ateneo College Glee Club, and Ateneo Chamber Singers. They will perform with the Jesuit Music Ministry artists, Blue Symphony, Bukas Palad, Himig Heswita and Musica Chiesa.

Distinguished Filipino musician and composer Ryan Cayabyab’s medley arrangement of the different “Take and Receive” compositions by the Filipino Jesuits will be one of the highlights of the concert.

Fans and supporters of these Ateneo singing groups can expect to be regaled by the songs that have made these groups both distinct and popular,resonating Ateneo’s fine musical legacy and the unique spirituality that inspires its music.

Dulaang Sibol is the Ateneo High School theater club founded and directed by Onofre Pagsanghan. Bukas Palad, meanwhile, was co-founded by Fr. Manoling Francisco,SJ 20 years ago. The Ateneo College Glee Club, the oldest university chorale in the country and winner in the 2006 Miltenberg (Germany) Choral Competition and Ateneo Chamber Singers, winner in the 2006 Tolosa (Spain) Choral Contest,will showcase their world-class talent in polyphony and classical music.

Another highlight of the concert is a tribute by the Jesuit Music Ministry artists to Fr. Eddie Hontiveros, SJ, or “Fr. Honti,” the acknowledged Father of Philippine Liturgical Music, who passed away in January 2008. The Mass hymns that Fr. Honti composed in the 1970s, after the Second Vatican Council called for inculturation of the liturgy, continue to be sung in every parish to this day, an enduring testament to the intimacy of his music with the heart of the Filipino and the message of Jesus Christ.

Take and Receive: The First Festival of Ateneo Music marks the Ateneo’s 149th anniversary, the year of “Deepening Spirituality,” the second theme of a three-year
countdown to Ateneo’s 150th anniversary, or sesquicentennial. Ateneo de Manila
University will celebrate its sesquicentennial on December 10, 2009 with the theme “Building the Nation."

--
Mimi D. Agbay
Project Coordinator - Ateneo Sesquicentennial
Phone No.: +632 426.6001 loc. 4083
Mobile No.: +63 917.8933379
http://150.ateneo.edu

HERE, THERE, EVERYWHERE

There are veritable
familiar surprises
in every
nook
and cranny
of this
everlasting
and
mysterious
city -

steamed dimsum
horse-drawn carriages
ambulant peddlers
sampaguita girls.

There are
good memories
to bring
home
from
esteros
(of all places!)

and
old restaurants
guarded by
wild pigs
(not for dinner!)

There is

family
kindred
self

in
Manila’s
every
corner.

KOMIKERA, 5th Edition

The 5th Edition of KOMIKERA opened last November 18 at the Ishmael Bernal Gallery of the University of the Philippines Film Institute (UPFI). KOMIKERA is a triumvirate of talented women namely Teta Tulay, Lea Lim and Vivian Limpin.

Photos to follow.

SUNRISE, SUNSET

Actually both photos are morning shots of Macajalar Bay as the Cebu Ferry approaches Cagayan de Oro. Taken with a instamatic; Fuji film 100.

AVENIDA RIZAL + OKTOMAT

Coming up next: SUPERPASYAL return to Avenida Rizal and sees it in a different light.

SASHA (SHYLY) PRESENTS

Photos are from Sasha's first roll of Fuji Superia 400. The rest were overexposed or shot in very low light (how idiotique). Well, so much for a greenhorn. I have every intention of getting better pictures in the future.

After complaining to friends, V.L. texted back, "Ok na yan. Sa photojournalism profession, before the advent of digital, we used to say, you only get the best shot on the 36th frame. :-)" Hmmmm...

You did not show up on the day
we were to meet again.
I waited in the rain
near an old, abandoned building
at the corner of Roxas Boulevard and T.M. Kalaw
hoping the rather charming setting would remind you
of Wong Kar Wai’s In the Mood for Love.

In the end, you realized you weren’t in the mood

And I, not really in love.

COMING RIGHT UP

I've always known it. For a blog that's been taking you in and around Manila (and even beyond) - 3 years and counting! - things are bound to get serious. I'm looking forward to finally getting an entry level DSLR, the Nikon D60. I think it'd be a great tool for a greenhorn. She will be nicknamed Giek when she arrives.

Giek will be joining Sylvia (my Panasonic Lumix point-and-shoot bought from Singapore last year; named after Sylvia Plath) and...

Sasha, a recent purchase in Hong Kong (thanks, M.S.!) and Iris, a plastic instamatic which I've had for so many years now. She takes pictures with a soft halo around the subject. I think I will revive her very soon.

BOOKS! BOOKS! BOOKS!

Here's a short list of the books I got from the recent Manila International Book Fair at the Mall of Asia's SMX.

FROM BOOKMARK: The Filipino Bookstore

The Romulo Reader (P50)
Coconut Cookery of Bicol by Honesto General (P100)
The Philippine Cookbook (2nd Edition) by Virginia Roces de Guzman & Nina Daza Puyat (P250)
Cuaresma (P250)
Dreamweavers (P250)

FROM ANVIL

Songs of Ourselves: Writings by Filipino Women in English (P80)
Letters by Bienvenido Santos (P80)
Ang Hayop na Ito! ni Rio Alma (P20)
A Filipino Werewolf in Quzon City by Tony Perez, Edited by Jessica Zafra (P50)
Cubao-Kalaw Kalaw-Cubao by Tony Perez (P225)
Cubao Midnight Express by Tony Perez (P160)
In The Name of Democracy: Selected Speeches of Corazon C. Aquino (P125)
Spiritual Register by T.M. Kalaw (P200)
Tikim: Essays on Philippine Food & Culture by Doreen Fernandez (P395)

What I didn't buy but I should have given that I blog about historical places a lot:

ENDANGERED: Notes on the 1st International Filipino-Spanish Conference on Architecture (P400) from the Instituto Cervantes.

------------------
Thanks to Vivian Limpin for the photo. Ang cute ng baboy. Go figure. :-)

TOURS! SUPPORT!

Dear friends,

This week, I will be teaching public school teachers how to appreciate the National Museum, thanks to you all. I thank you for all your kind words and letting others know about my tours. I attach my schedules for the rest of September, October and now November. There have been some dates removed for October so please use this schedule as the latest to send to your friends. Starting September 27, our Amorsolo retrospective will be showing and you will have a wonderful experience seeing the best of this National Artist's work in the National
Museum. I have included too a tour of the new Jaime Laya and Family gallery of contemporary paintings hanging at the National Gallery of Art. So, more to enjoy and maybe repeat your visit!

Many thanks again for joining my tour and for helping our public school teachers.

John L. Silva

WHAT SASHA WANTS, HE GETS

I haven't had the time, really, but Sasha has been badgering me that he wants to see more of the world. In that case, I'm taking Sasha to see the beautiful Manila Bay sunset on Monday, good weather permitting.

HEAVEN ON EARTH!

The 29th Manila International Book Fair celebrates the power of literature to cross boundaries of time, place and culture, Through books, through language, we can live in a world without borders. In five extraordinary days, we present you with a series of events that expand your horizons, and enrich your ideas, each one carefully crafted and programmed.

Our celebration of books and all that it contains is one of the longest-running in Asia. It is also one of the most accessible and affordable, Through the years, we have welcomed millions of Filipinos to the Manila International Book Fair, which is for everyone of all ages, of all tastes and means and dreams. This year, we are happy to announce that the Book Fair becomes ever more international opening up to other cultures while continuing to champion the best of what Philippine publishing has to offer.

The world comes to Manila this September for the sharing of stories and the meeting of minds.

Details:
SMX Convention Center, Seashell Drive, Mall of Asia Complex, Pasay City
September 12 - 16, 2008 10:00 A.M - 8:00 P.M., Daily

EXHIBIT: HIS ART, OUR HEART

Fruit pickers under the Mango Tree (1937)

2008 will see the coming together of the works of Fernando Amorsolo, the Philippines' first National Artist (c. 1975). Entitled His Art, Our Heart, different artworks according to genre will be exhibited in the following venues :

The Ayala Museum exhibition ‘Amorsolo’s Maidens Concealed and Revealed’ will be from Oct. 23 to March 8, 2009. It "will survey Amorsolo’s rendering of women as a means of following his career, and will draw attention to his maidens from the American period and his studies of nudes from the post-war years as a tribute to his brilliance. "

The GSIS Museum's ‘Rituals and Amorsolo’, from Oct. 2 to Dec. 20, “underlines how rituals reflect values, beliefs, and shared knowledge, how it brings about interactions among people, places and objects, how it expresses the core of social identity of communities, how it fortifies social structures and institutions, and perpetuates social values. Portrayals include baptisms, praying the Angelus, a family’s walk to Sunday mass.”

The Lopez Memorial Museum’s ‘Tell Tale: The Artist as Storyteller, Amorsolo as Co-Author’, from Sept. 24 to April 4, 2009, is illustrative of Amorsolo’s generation of artists, of how Amorsolo became subject to the workings of image-making industries central to the crafting of fictions — about what it was to be a citizen, to be learned/civilized, to be devout, to be Filipino in the transitional junctures of Spanish-American rule. Beyond looking at illustrations as potboilers, the exhibit hopes to look at how artists such as Amorsolo may have brought other layers of meaning upon texts primarily intended as didactic instruments.”

The Metropolitan Museum’s ‘Philippine Staple: The Land, the Harvest, the Maestro’ will display a harvest field of rice-related pieces and outstanding landscapes.”

At the National Museum’s ‘Master Copy’ from Sept. 25 to Jan. 15, 2009, the drawings transfigure into portraits that imagine the national self and the imperialist other, the Filipino and the American, a President like Manuel Roxas or a Gov. Gen. like Francis Burton Harrison, an elegant American lady or a nameless Katipunan revolutionary immortalized in oil after their stint in sketches.”

The Jorge B. Vargas Museum’s ‘Amorsolo: His Contemporaries and Pictures of the War, Capturing Anxieties’, from Sept. 23 to Nov. 16, will feature the works of Amorsolo and his contemporaries spanning the Second World War (1941-1945) until the immediate postwar years (1946-1947), family and official portraits commissioned by Vargas, and genre paintings. Works by peers — Manansala, Saguil, Miranda and Castañeda — will also be showcased.

The Yuchengco Museum’s ‘Mukang Tsinoy’ will be from Oct. 1 to Jan. 17, 2009. They will exhibit paintings commissioned by Tsinoy families.

Do not miss this once-in-a-lifetime art event.

THE PASIG RIVER FERRY SERVICE: A RIDE DOWN MANILA'S BELOVED RIVER OF LIFE

On the occassion of Araw ng Maynila (Manila Day), we first paid a visit to the long-abandoned and dreary Plaza Mexico on the outskirts of Intramuros (near the Bureau of Immigration in case you haven't got a clue where it is) and then took the 45-minute, 27-kilometre, Php 40-ride on the new Pasig River Ferry service from Plaza Mexico, Manila to Barangay Kalawaan in Pasig City (Line 1) and ends at Barangay Sta. Elena in the river city of Marikina (Line 2; the Marikina line is not yet operational as of this writing). We, however, hopped off at Guadalupe instead as we had no intention of going much further.

Anyway, you have no idea how truly excited I was to finally ride this thing. It's so fascinating to finally be able to traverse the length of the Pasig River - the same river that gave birth to the City of our Affections - and get a feel of its age, its whims and fancy, and its faded (but returning) glory.

The current Pasig Ferry service is not the first in these parts. It is antedated by the Magsaysay Lines (operated for only a year; Escolta to Guadalupe) and the Pasig Star Craft (began in 1997; Escolta to Bambang) by over a decade during the time of the Ramos administration during whose time the revitalization of the river was seriously undertaken under the Clean and Green Foundation headed by then First Lady Amelita Ramos.

The current service was inaugurated by the current President, Gloria Arroyo, on February 12, 2007. The project was built at the cost of US$ 176M and was financed by the Asian Development Bank under its Pasig River Environmental Management and Rehabilitation Sector Development Program. The service is expected to serve approximately 28,000 passengers a day.

There are fifteen (15) stations (or 14) on the route, each costing P80 million. The service is provided by twin-engined, double-hulled fiberglass catamarans manufactured by the Australia-based Nautical Transport Service, Inc. (NTSI), each costing Php 15 million. These are the same kind used on Sydney Harbour and Brisbane River and were designed by JSOPHIL Enterprises in association with Sydney-based Scott Cole (of Sidney Side Cruises) and built in Manila (in Pureza to be exact). Each catamaran has a length of 25 metres, speed of 22 knots and can accomodate 15o passengers.

The line is currently being operated by the Pasig River Rehabilitation Commission.

As El Cineaste wrote in skyscrapercity.com, "Help the Pasig River Ferry by taking it frequently. I have promised myself to ply it every weekend. It's really therapeutic; the river may not be like the Seine of France or the Thames of England, but [the] Pasig is as old and as historic as the aforementioned rivers."

Indeed. What a lovely way of putting it.

A beautiful view of the El Hogar, site location of many film and video shoots. In English, El Hogar means "the home." No idea if this is the building's original name. It was most recently used as a shoot site for a film entitled Room 213 by Keith Sicat.

A view of the Plaza Mexico station. The airconditioning is not working yet. It is very small. It doesn't look like it will cost P80 million to build it, but whatever. :-)

The adventure begins in the next entry.

ARAW NG MAYNILA FEATURE: THE PASIG FERRY ADVENTURE - FROM PLAZA MEXICO TO GUADALUPE (PART UN)

This is a nice view from the side of the terminal; there's the Manila Central Post Office, FEATI and SM Carriedo with its characteristic disk roof (not rotatory, I'm afraid). There's a man paddling his small boat behind one of the catamarans. On this day, several milkfishes have been released by the recent typhoon from their pens at the Laguna de Bai hence the riverbanks are full of people hoping to get the chance to catch something for lunch.

A ferry, bathed in light, sits beside the terminal awaiting its passengers. The river is very calm today.

Another one is slowly perking beside the first ferry.

Now there's two of them side by side. There's only one gangplank. You get to the other ferry through the first one which is right beside the terminal. Amusing, isn't it?

Leaving the terminal now, yipeee! An adventure trip come true! The Plaza Mexico terminal retains the flavor of Spanish-period Filipino architecture. This is in compliance with the rules that govern the Walled City and its environs as enforced by the Intramuros Administration.

The first (or last) station is Plaza Mexico named after the commemorative plaza nearby. The Plaza celebrates 100 years of Philippine-Mexican Friendship.

This hollow shell of a building is the Pacific Commercial. It used to house Citibank. Despite having fallen into disuse, however, it still retains most of its beauty and still exudes strength and power.

Jones Bridge. This end lies on the side of Binondo, Manila's Chinese old business district. From here you can see the famous fried chicken house, SAVORY.

I am reminded of the brass sculpture of little boys jumping into the river in Singapore which you can also see when you take the river tour from Boat Quay.


Our first stop was Escolta Station. The station is a delight to watch from the Jones Bridge. It is very clean and compact, standing as it is on the renovated portion of the Muelle del Banco in Escolta, Manila's first financial and business district.

The majestic, neo-classical 82-years old (c. 1926) Manila Central Post Office basking in the sun. It was designed by Juan Marcos de Guzman Arellano. The Jones Bridge above was also designed by Arellano, but do note that the Jones Bridge we know now isn't the original as most of these Arellano structures were destroyed during WWII. Anyway, please find below a photo of how the original structure looked like courtesy of The National Archives.

Moving on...

On your left is the FEATI University, the only university in the country (or probably in the world) with a light rail transit bisecting its campus. For most of us who spent our childhood in Manila (and in these parts of the metro), we remember with fondness the words, LOOK UP, YOUNG MAN, LOOK UP.

QUIAPO STATION. I was very disappointed when we reached the Quiapo Station. I mean, there's no station to speak of as if putting this stop here was just an afterthought. The squalor surrounding this area is just too difficult to comprehend. Here you can also see the Quiapo (Quezon) Bridge with its moderne concrete posts. Beneath is Quinta Market, famous for its numerous shops selling Philippine traditional handicrafts.

No, this isn't the market I was referring to earlier. :-(

AYALA BRIDGE. This bridge, Ayala Bridge, heralds the entrance of the ferry into the territory of the Hospicio de San Jose. Located at the Isla de Convalescencia, Hospicio de San Jose is a Catholic Welfare institution and a home of orphans, abandoned and special children and elderly people. Let me post here its history (courtesy of the Archdiocese of Manila website):

The establishment of Hospicio de San Jose was made possible y the charitable legacy of Don Francisco Gomez Enriquez and his wife Dona Barbara Versoza. In gratitude for having been cured of a fever, Don Francisco donated four thousand pesos (P4,000) in 1778 for the establishment of a Hospicio General for the poor of Manila. It was said that several others followed the first sum during the couple's lifetime.

Unfortunately, they did not live long enough to see the actual foundation of this home they envisioned to take care of the city's poor and unwanted children.The initial purpose of the establishment of the institution was mainly to respond to the urgent need of the indigent clientele and the mentally/physically handicapped people during those times.

Since its foundation in October 1778, Hospicio de San Jose has continued to meet the needs of the indigent people including the physically handicapped and the elderly people.The institution was first known as Hospicio General and was later changed to its present name Hospicio de San Jose. The newly established welfare institution was then named after St. Joseph, its present saint.

Hospicio de San Jose was formerly located at Pandacan, and then transferred to Intramuros, then to Binondo, Nagtahan and Echague. It was only 1810 when Hospicio de San found its permanent home at the Isla de Convalescencia or the Island of Convalescents.On December 27, 1810, a Board of Directors governed Hospicio ded san Jose through a Royal Decree, under the chairmanship of the Archbishop of Manila. The Daughters of Charity of St. Vincent de Paul came to Hospicio de San Jose only on June 1, 1866 as the administrators and were entirely responsible for the whole operation of the institution.

One of Manila's prominent ladies, Dona Margarita Rojas who was also one of its benefactors suggested to the Governor General to invite the good sisters of Charity to come to the Philippines to take care of the island's poor, sick, handicapped and abandoned.